Display broadcast safe exceptions – 1:35.Looking for a Particular Topic In the Video? Hit play on the video below to see AramK show you how to achieve broadcast-safe finishing in DaVinci Resolve. Using the dropper, select the warning areas and start adjusting the color curve as needed.
If you don’t use this plugin, you can achieve a broadcast safe finish by using hue vs saturation and the dropper. This compresses the saturation below our color warning, and we adjust as needed. You can use a DaVinci Resolve plugin called ResolveFX Color to add gamut mapping.
To solve this, we go to hue vs saturation and bump up the teal color in the color curve. You will see all the yellow and dark blue colors that lie outside the legal broadcast for REC 709. Go to view and click display broadcast safe exceptions. Once you click save on those settings, you should notice a slight change in the REC 709 spectrum window. We select the strictest option (0-100) and then check the box underneath to make the broadcast safe. There are three levels of intensity here, ranging from lenient to strict: -20-120, -10-110, and 0-100. You’ll see an option that reads “Broadcast Safe” and gives you an option to change your IRE levels. Broadcast Safe Settingsįirst, go into the project settings and click on the color management settings. That way, you can see what’s really going on with the color. To start, we’ll be looking at our REC 709 color spectrum window. Classic teal-orange color grading has been completed beforehand to set up our colors. We will be working with RAW film footage of a woman intently focused on painting. In this tutorial, we will be achieving a broadcast-safe finish. Achieving Broadcast Safe Finish in DaVinci Resolve In collaboration with YouTube creator AramK, we bring you a series of Davinci Resolve 16 tutorials to help you get your video project off the ground.
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